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Supercharge your iPhone video with DJI's OM 5 gimbal
Supercharge your iPhone video with DJI's OM 5 gimbal
Phones like the iPhone 12 Pro Max or Samsung Galaxy S21 Ultra can already shoot superb-looking video that can beautifully capture your holiday or just life around the house. But if you want to take your video production to the next level you could consider investing in a stabilizing gimbal and DJI's latest OM5 is a great, compact option to go for.
Like other phone gimbals -- and their larger cousins, aimed at heavier DSLRs -- gimbals use various motors to keep your device rock steady, smoothing out the sort of shakes and wobbles you'd normally expect to see when holding your phone. The OM5 is much the same, but offers a few key features that make it great for vloggers and other mobile creatives, including a compact, folding design, a built-in extension pole and a handy magnet mounting system.
The DJI OM 5 is available now worldwide and will set you back $159 (£140, AU$239).
Here's what I like about DJI's new gimbal.
Pocket-friendly design
The joy of filming your trips on your phone is that you don't have to carry loads of extra gear with you, so having to pack an enormous stabilizer like DJI's professional RS2 gimbal sort of defeats the purpose. Thankfully, the OM5 employs a clever folding design that allows it to squash down into something you can comfortably fit in a jacket pocket.
Andrew Hoyle/CNET
That means it's always available when creativity strikes. It also means that even when you chuck it in your backpack, its 290-gram (10.2 ounce) weight won't drag you down. The phone attaches with a magnetic clamp that detaches from the gimbal itself. It's a neat design that means the gimbal can pack down smaller when not in use while the clamp itself is so slender that you won't notice it much when it's still on your phone.
Solid performance
The OM 5's stabilization is impressive. It's able to smooth out hand movements entirely, resulting in slick, professional-looking footage even when using the iPhone 12 Pro Max's 2.5x zoom lens or super-wide angle lens. My early review model had the odd occasion when it started to shake or wobble for no discernible reason but a quick "off-and-on-again" of the gimbal sorted it out. I was impressed at how good the footage looked (using both the iPhone's standard camera app and DJI's Mimo app) and I'd definitely consider using it when filming with my phone for my own YouTube channel.
Battery life is great, too, with DJI claiming about 6 hours from a 1.5-hour charge. From my own use I'd say that's about accurate. The full 6 hours is a hell of a long time to film for, so I suspect for most people -- myself included -- you'd comfortably be able to charge it before you go on holiday and not worry about recharging again until you get back.
Andrew Hoyle/CNET
Built-in selfie stick
Selfie sticks might look faintly ridiculous but that extra extension can help you get much more dramatic selfies and the OM 5 has one built right in. Pull on the top and the gimbal section will extend away from the handle by almost 9 inches which not only helps you get better selfies but also allows for some much more creative shooting.
I found it particularly great for getting low down shots, holding the gimbal upside down with the phone almost scraping along the ground, or zooming through grasses. The gimbal automatically adjusts when in this position and you can start and stop recording using the physical buttons on the handle, rather than having to reach down to tap on your phone.
Easy to use
Setting up professional gimbals with full-sized cameras can be a nightmare, involving fine-tuning the camera's position in order to get the balance just right. Swap a lens though and you'll need to rebalance everything. The OM5 doesn't require much in the way of adjustment -- just pop your phone in the clamp and slap it on the mounting point, then turn it on and the gimbal will adjust to support the weight of whatever phone you're using. I tested the OM 5 with the iPhone 12 Pro Max and had no problems at all, despite its hulking 6.7-inch frame.
Andrew Hoyle/CNET
There are few buttons on the gimbal's grip, but they're comfortable to reach with your thumb and make it easy to quickly change the phone from landscape to portrait orientation (for you TikTok vertical video fans) or to adjust the position using the joystick. There's also a zoom button, which swaps between your phone's different lenses, and a start-stop recording button. These only work when you're filming using DJI's Mimo app, however.
The app also offers shooting tips for different environments as well as tracking for people or pets to help keep them more in frame.
Handy accessories
The OM 5 comes with a mini tripod in the box, which functions as both an extra bit of handle to hold on to. It also gives the gimbal something to stand on if you want to shoot timelapses, or you want to film yourself in front of the camera.
DJI has also released an alternative magnetic phone clamp which has its own built-in LED light for lighting up your face when shooting selfies in dark conditions. It's an extra $59 (£42, AU$79), so won't be to everyone's taste, but it offers multiple brightness and color temperature levels and is rechargeable over USB-C.
Andrew Hoyle/CNET
The one thing it doesn't have is any way to attach an external microphone, which I feel is a huge oversight for a product aimed at vloggers who want to speak at the camera on location. Without one, you're forced to record audio using only your phone's built-in microphone, which won't perform nearly as well as a small external mic like Rode's VideoMicro. If, like me, you're a vlogger keen on getting better audio, you'll need to consider third-party clamps that attach to the handle. The downside is that you'll then need a wire connecting to the phone, which could affect the performance of the gimbal itself. I'd love to see DJI find a better solution here.
I like the DJI OM 5 overall, however, and it's a solid option to consider if you want to give your phone footage a more professional upgrade. YouTubers and vloggers who rely on phones for filming are well catered-for here, while the gimbal's simple operation makes it great if you just want more cinematic footage of your holidays to share with your family.
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Funny Business: TikTok Is Putting a New Spin on Standup Comedy
Funny Business: TikTok Is Putting a New Spin on Standup Comedy
As the lights dim, the doors fly open and the shadow of Reuben Kaye — "actress, model and," as he tells his audience every night, "the only horseman of the apocalypse to ride side saddle" — is thrown across the auditorium, stretching up the wall like something from your wildest fever dream.
With over 3,500 shows at this year's Edinburgh Fringe — the world's biggest arts festival, which runs in the capital every year for all of August — it's pretty hard to stand out if you're a performer wanting to make a name for yourself. But there are shows, and then there are the jazz-hands, capital-letters *SHOWS.*
Kaye's The Butch Is Back is definitely the latter. Whereas many Fringe shows happen in the city's rabbit warren of old vaults, upstairs at pubs and in hotel conference rooms, with very little in the way of lighting, backdrops and tech, Kaye's is a Las Vegas show in miniature. With his band, he sings, dances and interacts with the audience with rapid-fire patter and comedic timing that fills the high ceilings of the old church he performs in with hoots and screeches.
This isn't Kaye's first rodeo at the Fringe, but he returns in 2022 after two years of being restricted to his homeland of Australia with some new tricks up his sleeve. Since his last Fringe run, Kaye has found success on TikTok, where he has 203,000 followers, which has not only opened him up to new audiences, but forced him to write faster and better in a way that's transformed his shows.
"This show is pretty much a TikTok, it does not stop," he said in an interview in the bar of Fringe venue Assembly Checkpoint last week. "The opening number and the closing number are written as TikToks — line after line after line, boom, boom, boom, costume change — as quick as it can be. And it's also amazing cardio."
Reuben Kaye on stage in Edinburgh.
Andrew Lanxon/CNET
Kaye's act isn't the only place where TikTok has made its mark. The short-form video app's fingerprints are all over the Fringe this year, shaking up the 75-year-old arts festival with an injection of new talent and energy. Freshly TikTok-famous comedians have come to the Fringe for the first time, buoyed by their online success, while old hands are using the platform to find new audiences and experiment with material.
"The Edinburgh Fringe is all about offering anyone a stage and everyone a seat — and that's the ethos of TikTok too," said Melissa McFarlane, head of content programming at TikTok, in a statement.
TikTok, which has enjoyed an explosion of popularity over the last few years (now at over 1 billion active monthly users, compared to 2.1 billion on YouTube and 2.9 billion on Facebook), boasts a physical presence in Edinburgh as the festival's first virtual partner. The company broadcasts live on its own platform from the TikTok stage, invites creators to make use of its live studio in the heart of Edinburgh and works with performers to hone their TikTok skills.
The result: a festival with more original and unique acts for audiences, and new opportunities for a more diverse group of performers who might not have necessarily gotten a shot in this notoriously difficult business.
"It opened me up to a new demographic of people who would not have thought cabaret was for them," said Kaye. "TikTok comedians are incredibly — to use an overused phrase — diverse. They're people of color, they're queer, they're trans women and comedy has for a very long time been a white boys club."
A ball for debutantes
One of those who performed on TikTok's stage was Serena Terry from Derry, Northern Ireland, who on TikTok goes by Mammy Banter. With 1.4 million followers, Terry is popular for her sketches of parenting petulant children and teens, but until TikTok reached out inviting her to take one of its one-off standup spots she'd never performed live comedy.
"It's incredible that TikTok can create these opportunities for people who have just jumped on the app in the last few years and haven't done any standup comedy, but have established themselves in the digital world," she said. "Absolute superstars have been born at the Fringe, so it was just a no-brainer for me."
She had just two weeks to write and learn her show, but the experience has given her a taste for live performance. "It really has got me excited and it's taken me out of my comfort zone in a very good way," she said. Now she's considering bringing back a full show next year.
Other comedians who found success on TikTok during the pandemic have brought their debut shows to Edinburgh for the entire month-long run.
After dancer and choreographer Christopher Hall lost all of his work for the third time in the UK's series of COVID-19 lockdowns, he decided that it was finally time to do what he'd long dreamed of and try his hand at comedy. He'd held back from posting on TikTok, in part due to worrying what others would think, but the isolation of lockdown gave him a safety net.
"If everyone thought it was stupid, I wasn't gonna see them for at least six months," he said. "Because it just started off with zero followers, I was like, it could either blow up, or it could just be a sketchbook of ideas."
Hall wrote videos based on what he was experiencing at the time: being a millennial forced to move back in with his parents. He posted one TikTok per day and on the fifth day he scored his first viral 100,000-view hit. He now has more than 130,000 followers and is in the middle of a month-long Fringe run of a two-man comedy show Two Sour Gays, with fellow comic Mark Bittlestone.
Among those making their Fringe debuts after finding success on TikTok, many have harbored long-running ambitions of working in comedy that finally came to fruition during the pandemic.
Like Hall, sisters Chloe and Tabby Tingey had a background in musical theater before making musical comedy TikToks during lockdown. Tabby had studied musical theater at Glasgow Conservatory and Chloe had won a scholarship to study songwriting at Berklee College of Music, but both had long given up on their dreams of working in the arts by the time they moved in together during the pandemic. Everything that came next was a "happy accident," said Chloe.
Chloe and Tabby Tingey are the Sugarcoated Sisters.
Steve Ullathorne
They started making TikTok videos of Tabby weightlifting Chloe — "she's very strong, she's like an ox," Chloe said of her sister. But after discovering comedy content on the app they switched to making musical parodies, with a video of them making fun of Chicago's Cell Block Tango being their first big hit.
After winning best newcomer at the UK's Musical Comedy Awards earlier this year and racking up 401,000 followers, the pair, who collectively go by the Sugarcoated Sisters, decided to try the festival. TikTok has supported them by securing a spot on the inside front page of the Fringe brochure and putting them on digital bulletin boards.
Selling out shows
Edinburgh Fringe has a reputation for being a star maker, having launched the careers of performers and writers including Phoebe Waller-Bridge, Bo Burnham and Robin Williams. But the reality for many performers is that they will shell out their savings to bring a show to the festival and then have to perform it every night to mostly empty rooms.
Micky Overman is at the Fringe for the third time.
Matt Crockett
It's especially tough for new performers who haven't already established an audience to help them sell out their rooms. "There's a lot of pressure on people coming here for the first time." said Micky Overman, a comic on her third Fringe run with her show Small Deaths. But she's noticed that debut acts from TikTok aren't struggling in the same way as others. "New people that are debuting and people who are successful online are properly selling their shows this year," she said.
The livestreams on TikTok's virtual stage have translated into real-world ticket sales, according to McFarlane. There's no way for artists to tell for sure how many people are coming to shows solely because of TikTok, but it's harder to find a spare seat at shows with those who boast huge followings. The comedian Rosie Holt, who is known for her online political satire, had to add extra performances after the whole run sold out before the festival even started — something that's almost unheard of aside from the most famous names.
"We're very charmed in the fact that our followings online seem to really translate to in-person audiences," said Hall. He and his comedy partner both have largely UK-based followings that led to near sold-out shows. It's not so easy to fill Edinburgh seats if your following is more international.
Shirley Gnome got on TikTok during the pandemic.
Shirley Gnome
Chloe and Tabby Tingey were unsure what impact their following would have on ticket sales given that only half of their audience is based in the UK. But they usually get people coming to them at the end of shows identifying themselves as followers, with one woman flying all the way from Illinois to see them live. "She stayed for four days and had a whale of a time," said Tabby.
Finlay Christie, a debut act who has regularly been selling out his show OK Zoomer after shooting to fame on TikTok (173,000 followers), described feeling "the looming specter of digital" at this year's Fringe. "You see the odd act up here who's got a following and bringing their show up here and selling out, but it still feels like you're trying to impress the gatekeepers," he said. Most newer acts have been assigned to smaller rooms, but he said he wouldn't be surprised if in the next few years they're headlining big venues.
Comedy is a notoriously difficult industry to get into, involving immense financial risk and relying on club promoters to book acts. TikTok is changing this, said Hall, as it paves the way for people of all races, sexualities, genders and socio-economic backgrounds to get a leg up in an industry that might have otherwise been inaccessible to them. It can help prove that minority acts have mass-market appeal.
Form dictating content
Comedians who have succeeded at TikTok have seen a massive influx of new interest in their work. At the Fringe, this lifts some of the need to pass out flyers. "It's not like here where you're just shouting into the wind and hoping people walk past," said Kaye.
TikTok's algorithm makes it much easier to reach people who will appreciate you, weeding out those who never would have come to see you live anyway, said Lara Ricote, who is performing her show GRL/LATNX/DEF at the Fringe for the first time. "It's like, oh, you love hard-of-hearing comedy? Guess what I do?" she said. "That difference is very cool. You can arrive at it quicker when usually it's a freakin' 25-year process to find your audience."
Lara Ricote's show is about what it's like to be Latin, hard of hearing and a girl.
Steve Ullathorne
The algorithm has delivered the Sugarcoated Sisters a following of good-humored musical theater lovers. "They're so specific and genius at tailoring the content to people who are interested in it," said Tabby. "It seems like the kind of community that they're creating around the Edinburgh Fringe on TikTok is really supportive, really engaged."
But it's not just about reeling audiences in, said Overman. It's equally valuable in ensuring that people who come to see your show and enjoy it can find more content when they look you up after. "Give them something that they come back to," she said. It's not like newer comics have Netflix specials they can point people towards, she added, but TikTok allows fans to connect with more of their content. "That's how they can become invested."
The Sugarcoated Sisters' most viral hit — an original song about Chloe's bipolar and Tabby's diabetes, which they thought might be too niche to resonate at the time of writing — is now the opener to their show. But on the whole, it's rare to see much overlap between a comedian's stage show and their TikTok presence.
If there is crossover, it tends to be that TikTok informs the live comedy rather than the other way around. "I definitely have incorporated things that were popular on TikTok back into my show," said Shirley Gnome, who found TikTok to be a great way of testing out what material was resonating best among audiences during the pandemic.
The adage that content dictates form doesn't apply to TikTok, said Kaye. It's usually the other way around. Many existing stand-up comedy acts have found success using TikTok for sketch and character-based comedy, which is somewhat out of fashion at the Fringe right now.
Milo McCabe is better known as Troy Hawke.
Steve Ullathorne
Milo McCabe, who goes by the stage name Troy Hawke, struck gold when he started making TikToks using a character he first invented eight years ago — a well-spoken greeter who stands outside of stores. McCabe is a Fringe veteran, but has returned to the Fringe this year to perform his show to sold-out rooms, with audiences who have come to ogle "the bloke from the video."
"I've had to tweak it slightly and… make it a little bit easier to digest," he said, noting his show is different from his TikToks. "That's what I've been doing in the show day by day."
Living for live
Many established comedians have yet to get on TikTok, unsure either of how to use it or whether there's an audience for them on the app.
It turns out that TikTok is an ideal medium for comedians, as it gives them full creative control of their material so they ensure their jokes land as planned. McCabe has honed his editing skills, shaving off tenths of a second here and cutting anything that sounds inauthentic until it sounds "more fluid and watchable."
Ricote is still trying to figure out a way to make TikTok work for her as someone who doesn't do characters and wants to focus on standup. To get a closeup on your face, which she understands to be better for the algorithm, it means having a tripod setup close to her and performing for the camera while also performing for the audience. At this point, she said, "it's not for the room anymore."
Posting standup on TikTok at least partly takes away the purity of the art form, said Overman. "But at the same time we would all be lying to ourselves if we were saying that we didn't want to reach a big audience. And it's right there."
For the majority of comedians wanting to make it big at Edinburgh or anywhere else in the world of comedy, finding an audience who will engage with them as they perform to sold-out rooms is always the end goal. While others on the app try to follow the well-trodden influencer pathway of acquiring enough followers to score brand partnerships, comics are largely avoiding monetizing their followings on the platform.
"For me," said Gnome, "that's not very interesting." Rather than flogging products, she is motivated by the thrill of being in front of a real audience. "I'm really live oriented… so it really all does come back to the live thing."
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Funny Business: TikTok Is Putting a New Spin on Standup Comedy
Funny Business: TikTok Is Putting a New Spin on Standup Comedy
As the lights dim, the doors fly open and the shadow of Reuben Kaye — "actress, model and," as he tells his audience every night, "the only horseman of the apocalypse to ride side saddle" — is thrown across the auditorium, stretching up the wall like something from your wildest fever dream.
With over 3,500 shows at this year's Edinburgh Fringe — the world's biggest arts festival, which runs in the capital every year for all of August — it's pretty hard to stand out if you're a performer wanting to make a name for yourself. But there are shows, and then there are the jazz-hands, capital-letters *SHOWS.*
Kaye's The Butch Is Back is definitely the latter. Whereas many Fringe shows happen in the city's rabbit warren of old vaults, upstairs at pubs and in hotel conference rooms, with very little in the way of lighting, backdrops and tech, Kaye's is a Las Vegas show in miniature. With his band, he sings, dances and interacts with the audience with rapid-fire patter and comedic timing that fills the high ceilings of the old church he performs in with hoots and screeches.
This isn't Kaye's first rodeo at the Fringe, but he returns in 2022 after two years of being restricted to his homeland of Australia with some new tricks up his sleeve. Since his last Fringe run, Kaye has found success on TikTok, where he has 203,000 followers, which has not only opened him up to new audiences, but forced him to write faster and better in a way that's transformed his shows.
"This show is pretty much a TikTok, it does not stop," he said in an interview in the bar of Fringe venue Assembly Checkpoint last week. "The opening number and the closing number are written as TikToks — line after line after line, boom, boom, boom, costume change — as quick as it can be. And it's also amazing cardio."
Reuben Kaye on stage in Edinburgh.
Andrew Lanxon/CNET
Kaye's act isn't the only place where TikTok has made its mark. The short-form video app's fingerprints are all over the Fringe this year, shaking up the 75-year-old arts festival with an injection of new talent and energy. Freshly TikTok-famous comedians have come to the Fringe for the first time, buoyed by their online success, while old hands are using the platform to find new audiences and experiment with material.
"The Edinburgh Fringe is all about offering anyone a stage and everyone a seat — and that's the ethos of TikTok too," said Melissa McFarlane, head of content programming at TikTok, in a statement.
TikTok, which has enjoyed an explosion of popularity over the last few years (now at over 1 billion active monthly users, compared to 2.1 billion on YouTube and 2.9 billion on Facebook), boasts a physical presence in Edinburgh as the festival's first virtual partner. The company broadcasts live on its own platform from the TikTok stage, invites creators to make use of its live studio in the heart of Edinburgh and works with performers to hone their TikTok skills.
The result: a festival with more original and unique acts for audiences, and new opportunities for a more diverse group of performers who might not have necessarily gotten a shot in this notoriously difficult business.
"It opened me up to a new demographic of people who would not have thought cabaret was for them," said Kaye. "TikTok comedians are incredibly — to use an overused phrase — diverse. They're people of color, they're queer, they're trans women and comedy has for a very long time been a white boys club."
A ball for debutantes
One of those who performed on TikTok's stage was Serena Terry from Derry, Northern Ireland, who on TikTok goes by Mammy Banter. With 1.4 million followers, Terry is popular for her sketches of parenting petulant children and teens, but until TikTok reached out inviting her to take one of its one-off standup spots she'd never performed live comedy.
"It's incredible that TikTok can create these opportunities for people who have just jumped on the app in the last few years and haven't done any standup comedy, but have established themselves in the digital world," she said. "Absolute superstars have been born at the Fringe, so it was just a no-brainer for me."
She had just two weeks to write and learn her show, but the experience has given her a taste for live performance. "It really has got me excited and it's taken me out of my comfort zone in a very good way," she said. Now she's considering bringing back a full show next year.
Other comedians who found success on TikTok during the pandemic have brought their debut shows to Edinburgh for the entire month-long run.
After dancer and choreographer Christopher Hall lost all of his work for the third time in the UK's series of COVID-19 lockdowns, he decided that it was finally time to do what he'd long dreamed of and try his hand at comedy. He'd held back from posting on TikTok, in part due to worrying what others would think, but the isolation of lockdown gave him a safety net.
"If everyone thought it was stupid, I wasn't gonna see them for at least six months," he said. "Because it just started off with zero followers, I was like, it could either blow up, or it could just be a sketchbook of ideas."
Hall wrote videos based on what he was experiencing at the time: being a millennial forced to move back in with his parents. He posted one TikTok per day and on the fifth day he scored his first viral 100,000-view hit. He now has more than 130,000 followers and is in the middle of a month-long Fringe run of a two-man comedy show Two Sour Gays, with fellow comic Mark Bittlestone.
Among those making their Fringe debuts after finding success on TikTok, many have harbored long-running ambitions of working in comedy that finally came to fruition during the pandemic.
Like Hall, sisters Chloe and Tabby Tingey had a background in musical theater before making musical comedy TikToks during lockdown. Tabby had studied musical theater at Glasgow Conservatory and Chloe had won a scholarship to study songwriting at Berklee College of Music, but both had long given up on their dreams of working in the arts by the time they moved in together during the pandemic. Everything that came next was a "happy accident," said Chloe.
Chloe and Tabby Tingey are the Sugarcoated Sisters.
Steve Ullathorne
They started making TikTok videos of Tabby weightlifting Chloe — "she's very strong, she's like an ox," Chloe said of her sister. But after discovering comedy content on the app they switched to making musical parodies, with a video of them making fun of Chicago's Cell Block Tango being their first big hit.
After winning best newcomer at the UK's Musical Comedy Awards earlier this year and racking up 401,000 followers, the pair, who collectively go by the Sugarcoated Sisters, decided to try the festival. TikTok has supported them by securing a spot on the inside front page of the Fringe brochure and putting them on digital bulletin boards.
Selling out shows
Edinburgh Fringe has a reputation for being a star maker, having launched the careers of performers and writers including Phoebe Waller-Bridge, Bo Burnham and Robin Williams. But the reality for many performers is that they will shell out their savings to bring a show to the festival and then have to perform it every night to mostly empty rooms.
Micky Overman is at the Fringe for the third time.
Matt Crockett
It's especially tough for new performers who haven't already established an audience to help them sell out their rooms. "There's a lot of pressure on people coming here for the first time." said Micky Overman, a comic on her third Fringe run with her show Small Deaths. But she's noticed that debut acts from TikTok aren't struggling in the same way as others. "New people that are debuting and people who are successful online are properly selling their shows this year," she said.
The livestreams on TikTok's virtual stage have translated into real-world ticket sales, according to McFarlane. There's no way for artists to tell for sure how many people are coming to shows solely because of TikTok, but it's harder to find a spare seat at shows with those who boast huge followings. The comedian Rosie Holt, who is known for her online political satire, had to add extra performances after the whole run sold out before the festival even started — something that's almost unheard of aside from the most famous names.
"We're very charmed in the fact that our followings online seem to really translate to in-person audiences," said Hall. He and his comedy partner both have largely UK-based followings that led to near sold-out shows. It's not so easy to fill Edinburgh seats if your following is more international.
Shirley Gnome got on TikTok during the pandemic.
Shirley Gnome
Chloe and Tabby Tingey were unsure what impact their following would have on ticket sales given that only half of their audience is based in the UK. But they usually get people coming to them at the end of shows identifying themselves as followers, with one woman flying all the way from Illinois to see them live. "She stayed for four days and had a whale of a time," said Tabby.
Finlay Christie, a debut act who has regularly been selling out his show OK Zoomer after shooting to fame on TikTok (173,000 followers), described feeling "the looming specter of digital" at this year's Fringe. "You see the odd act up here who's got a following and bringing their show up here and selling out, but it still feels like you're trying to impress the gatekeepers," he said. Most newer acts have been assigned to smaller rooms, but he said he wouldn't be surprised if in the next few years they're headlining big venues.
Comedy is a notoriously difficult industry to get into, involving immense financial risk and relying on club promoters to book acts. TikTok is changing this, said Hall, as it paves the way for people of all races, sexualities, genders and socio-economic backgrounds to get a leg up in an industry that might have otherwise been inaccessible to them. It can help prove that minority acts have mass-market appeal.
Form dictating content
Comedians who have succeeded at TikTok have seen a massive influx of new interest in their work. At the Fringe, this lifts some of the need to pass out flyers. "It's not like here where you're just shouting into the wind and hoping people walk past," said Kaye.
TikTok's algorithm makes it much easier to reach people who will appreciate you, weeding out those who never would have come to see you live anyway, said Lara Ricote, who is performing her show GRL/LATNX/DEF at the Fringe for the first time. "It's like, oh, you love hard-of-hearing comedy? Guess what I do?" she said. "That difference is very cool. You can arrive at it quicker when usually it's a freakin' 25-year process to find your audience."
Lara Ricote's show is about what it's like to be Latin, hard of hearing and a girl.
Steve Ullathorne
The algorithm has delivered the Sugarcoated Sisters a following of good-humored musical theater lovers. "They're so specific and genius at tailoring the content to people who are interested in it," said Tabby. "It seems like the kind of community that they're creating around the Edinburgh Fringe on TikTok is really supportive, really engaged."
But it's not just about reeling audiences in, said Overman. It's equally valuable in ensuring that people who come to see your show and enjoy it can find more content when they look you up after. "Give them something that they come back to," she said. It's not like newer comics have Netflix specials they can point people towards, she added, but TikTok allows fans to connect with more of their content. "That's how they can become invested."
The Sugarcoated Sisters' most viral hit — an original song about Chloe's bipolar and Tabby's diabetes, which they thought might be too niche to resonate at the time of writing — is now the opener to their show. But on the whole, it's rare to see much overlap between a comedian's stage show and their TikTok presence.
If there is crossover, it tends to be that TikTok informs the live comedy rather than the other way around. "I definitely have incorporated things that were popular on TikTok back into my show," said Shirley Gnome, who found TikTok to be a great way of testing out what material was resonating best among audiences during the pandemic.
The adage that content dictates form doesn't apply to TikTok, said Kaye. It's usually the other way around. Many existing stand-up comedy acts have found success using TikTok for sketch and character-based comedy, which is somewhat out of fashion at the Fringe right now.
Milo McCabe is better known as Troy Hawke.
Steve Ullathorne
Milo McCabe, who goes by the stage name Troy Hawke, struck gold when he started making TikToks using a character he first invented eight years ago — a well-spoken greeter who stands outside of stores. McCabe is a Fringe veteran, but has returned to the Fringe this year to perform his show to sold-out rooms, with audiences who have come to ogle "the bloke from the video."
"I've had to tweak it slightly and… make it a little bit easier to digest," he said, noting his show is different from his TikToks. "That's what I've been doing in the show day by day."
Living for live
Many established comedians have yet to get on TikTok, unsure either of how to use it or whether there's an audience for them on the app.
It turns out that TikTok is an ideal medium for comedians, as it gives them full creative control of their material so they ensure their jokes land as planned. McCabe has honed his editing skills, shaving off tenths of a second here and cutting anything that sounds inauthentic until it sounds "more fluid and watchable."
Ricote is still trying to figure out a way to make TikTok work for her as someone who doesn't do characters and wants to focus on standup. To get a closeup on your face, which she understands to be better for the algorithm, it means having a tripod setup close to her and performing for the camera while also performing for the audience. At this point, she said, "it's not for the room anymore."
Posting standup on TikTok at least partly takes away the purity of the art form, said Overman. "But at the same time we would all be lying to ourselves if we were saying that we didn't want to reach a big audience. And it's right there."
For the majority of comedians wanting to make it big at Edinburgh or anywhere else in the world of comedy, finding an audience who will engage with them as they perform to sold-out rooms is always the end goal. While others on the app try to follow the well-trodden influencer pathway of acquiring enough followers to score brand partnerships, comics are largely avoiding monetizing their followings on the platform.
"For me," said Gnome, "that's not very interesting." Rather than flogging products, she is motivated by the thrill of being in front of a real audience. "I'm really live oriented… so it really all does come back to the live thing."
Stalkerware what to do if you re the target principal name stalkerware what to do if you re the target store stalkerware what to do if you re the smartest person in the room stalkerware what to do if you really love stalkerware what to do if you remain stalkerware what to do if you re gone matchbox 20 stalkerware what to do if you remember
Stalkerware: What to do if you're the target
Stalkerware: What to do if you're the target
This article discusses domestic violence. CNET would like to remind readers that browsing histories, including this story, can be monitored and are impossible to completely clear. If you need help, please call the National Domestic Violence Hotline at 1-800-799-7233.
Things got weird at the end of Allie's relationship with her boyfriend. One night, he seemed to know where she'd been when she was out without him, and another night he started talking about something she'd recently read on her personal computer at home, where she lived alone.
At the beginning of their relationship, he said he had cyberstalked a past girlfriend, but he assured her that those days were behind him. Now Allie, who asked to use a pseudonym out of concern for her safety, wondered if her soon-to-be-ex boyfriend was spying on her.
"I thought I was going nuts because I was pretty sure I hadn't shared that information," said Allie, who ditched her laptop and phone rather than find out what software her ex might have installed on them. "In hindsight, it was subtle intimidation."
The paranoia that Allie felt is becoming a sadly common experience. It's jaw-droppingly easy for someone to buy and install intrusive apps, known as stalkerware, on someone else's device. The apps are plentiful, according to antivirus software firms that track their prevalence. A recent Harris poll conducted with antivirus firm NortonLifeLock found that one in 10 people admit to using stalkerware to track a partner or ex-partner. The apps are so simple that some people on TikTok have posted 60-second tutorials on how to use them.
The software works on computers but has become especially powerful to use on phones, turning the gadgets into all-seeing surveillance devices that reveal location data as well as emails, web browsing histories and more. Stalkerware on smartphones can lead domestic abusers to partners who may be in hiding. The apps give heightened control to abusers whose partners haven't left, making escape harder to manage. Stalkerware apps have been tied to horrible acts of violence.
There can be legitimate reasons to use tracking apps, such as monitoring children's phones, or monitoring employees (with their consent). However, the distinction between these apps and what's often called stalkerware is blurry. Many apps bill themselves as legitimate monitoring apps but can offer staggering amounts of information from targets' phones and can operate completely undetected. The reality is that these apps get abused by people who spy on adults without their consent, according to law enforcement officials and to domestic-violence and legal experts.
You might at some point worry you have stalkerware on your phone or laptop. It isn't easy to decide what to do about it, domestic-violence experts say, because your partner or ex might become more dangerous if you delete the software on your device. But there are steps you can take to learn more about the software and whether it's on your device.
What is stalkerware?
Stalkerware refers to a broad group of apps that someone else can install on your device to intercept texts and phone calls, access your location, log your web browsing activity and turn on your camera or microphone. The information gathered by such an app typically gets sent to a portal or companion app accessed by the person who installed the stalkerware.
The apps can be installed on all kinds of phones, though it's a bit more complex to get stalkerware working on iPhones. The person installing stalkerware typically has to get physical access to the user's phone to install an app. A big exception to this is if the person installing stalkerware has the target's iCloud credentials, allowing them to access backups of the other person's phone.
Is stalkerware illegal?
Surreptitious spying on your devices without your consent is illegal. So is stalking. Additionally, the apps usually violate the policies for apps sold on stores run by Google and Apple, and they're frequently taken down from those stores.
People still install them on other people's phones, though, finding the apps for sale on the app makers' websites instead of an app store, and at times undermining the foundational security of a target's phone by jailbreaking it. The apps are often sold as child or employee monitoring services, but they're ripe for abuse because they can run undetected on a device, say law enforcement officials and domestic-violence experts.
There have been prosecutions of people who used stalkerware, but they're uncommon.
How do I know if my phone has stalkerware?
That can be hard. The software often disguises itself, either by displaying an innocuous icon (like a battery monitor), or by not displaying an icon at all, says Kevin Roundy, technical director at the NortonLifeLock research group.
While researching stalkerware apps, Roundy identified other categories of apps that often work in concert with the intrusive software. One of these is an app-hiding app, which can remove the icon of a stalkerware app from your screen.
Even if an app's icon is hidden on your phone, it should show up in your settings as an item in the list of applications running on your device. The app still probably won't have a label that immediately identifies it as stalkerware, Roundy says, so look for any app you don't recognize. You can look up any unusual looking apps online on another device to see if you can find more information about them.
An additional step is using antivirus software on your phone, if you use an Android device. (There isn't any antivirus software available for iPhones.) Antivirus software from Kaspersky, Malwarebytes and NortonLifeLock all scan for the software and warn users if they find known stalkerware apps.
You can also take your device to a local police department. Resources and training vary from place to place, so it's not guaranteed that someone will be able to help you. Still, some departments have officers who specialize in domestic violence and have training in scanning devices for software, and they may be able to assist.
Should I delete stalkerware?
Deleting the app is an option to consider, but you should make the decision carefully. Deleting stalkerware apps might put you in even more danger if it prompts your partner or ex to engage in even scarier behavior.
Erica Olsen, who directs the safety net project at the National Network to End Domestic Violence, says deleting the app sends a message to the person who installed it: I know you did this, and now you don't have control over my device anymore. The loss of control, and the fear that they might be held accountable for installing stalkerware, can lead some people to "escalate the violence, or change stealth stalking to an assault," Olsen said.
These concerns are why multiple antivirus companies don't automatically delete stalkerware from their users' phones.
"The decision has to be theirs," Tara Hairston, Kaspersky's head of government relations for North America, said of targets of stalkerware, "because there is unfortunately that risk."
How to delete, destroy or replace
You may decide any risk is worth deleting the app. In that case, there are a few routes you can take.
First, you can cut off the app's access to things like your camera and microphone, and then delete it from your phone. This process can vary, and guides for deleting specific apps exist online, sometimes even on the app-makers' websites. Deletion is the least disruptive route you can take, but it can leave you with lingering questions of whether there's anything left on your phone that can spy on you.
If you still aren't comfortable that your device is secure, you can do a factory reset. This restores your phone to the state you'd find it when it was fresh out of the box. You'll be signed out of all your accounts, and all the extra apps installed on your phone after purchase will be gone. Before you do a factory reset, it's important to back up any photos or files that you don't already have saved somewhere else.
Lastly, you can get a new device. This is a tough piece of advice for anyone to hear, especially if your finances are tight or your partner controls your spending. Still, that's what Allie says she decided to do.
She didn't know if she'd be able to get rid of whatever software might be on her phone or computer, and she didn't think she'd be able to learn more than her former partner knew about hacking. She stopped using her devices and got new ones.
"I just wanted this guy out of my life," she said.
TikTok CEO to relinquish CFO role at parent ByteDance
TikTok CEO to relinquish CFO role at parent ByteDance
The chief financial officer of TikTok parent company ByteDance will step down to focus his attention full time on running the popular video-sharing app, according to an internal memo sent to employees on Monday.
ByteDance CFO Shou Zi Chew joined ByteDance in March and was appointed TikTok's chief executive in April.
The shift is part of a broader reorganization that will create six business units within TikTok's parent company, ByteDance Chief Executive Liang Rubo said in the memo, reported earlier by Reuters. The new structure will include TikTok, Douyin, work collaboration unit Lark, business services unit BytePlus, gaming unit Nuverse and education tech unit Dali.
ByteDance declined to comment on the memo.
Chew became TikTok's CEO in April, eight months after the resignation of Kevin Mayer, its previous chief executive. Mayer, who helped launch the popular Disney Plus streaming service, resigned after a turbulent year for TikTok. In his resignation letter after three months at TikTok's helm, Mayer cited as a reason for his departure then-US President Donald Trump's threat to ban TikTok unless it was sold to a US-based company.
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People of the Same Weight Can Look Different Based on These Factors
People of the Same Weight Can Look Different Based on These Factors
This story is part of Health by the Numbers, CNET's deep dive into how we quantify health.
The scale was viewed as the holy grail for determining how healthy you are for the longest time. With extensive research and understanding, we know that the scale doesn't take into consideration the many factors that can influence our weight. That means that weight isn't always the best indicator of health.
What makes things more complex is when you meet someone who's the same weight, height and gender, but looks completely different than you. Weight is much more than what the scale tells you, and there are better ways to interpret your health instead of relying on a specific number. I spoke with registered dietitian and diabetes educator, Amelia Ti, to help break down the unique factors that influence weight, as well as a healthier approach we can take to understanding it.
What determines your weight?
Getty Images/ Hiraman
First, it's important to understand the many factors that influence weight. These factors include genetics, hormone levels, stress and sleep levels, moods, trauma, any medications you're taking and health conditions.
"Our weight is more than just calories consumed versus calories burned," said Ti. She said the number on the scale is not a reliable indicator of health, since our weight is influenced by various details. In fact, many of the factors that determine our weight, such as the environment, genetics, age and gender, are beyond our control -- they were either set before we were born or are inescapable.
The same can be said when people are dieting and aim to set a goal weight determined by the scale. "Weight is not a behavior, therefore the number on the scale cannot directly be controlled," she said. Setting a specific goal weight is not realistic or sustainable, because it implies that we can control our weight through willpower. In that same vein, Ti pointed out that dieting to lose weight or change one's body shape, size or composition, is not effective in the long-term and usually results in weight regain and cycling. There are exceptions, but we know that many diets fail.
Then there's the set point theory, which implies that we all have a natural weight that our bodies prefer to maintain. The idea is that our bodies periodically adjust our food intake (such as eating more or less) and energy expenditure to keep it balanced. Although the concept is still up for debate, studies have shown that there may be some truth to a biological control of body weight at a set point. However, weight is more complex than that, so it isn't fully proven.
Same weight, different body composition
Getty Images/FatCamera
What about circumstances where you find yourself weighing the same as a year ago, but you notice your clothes fit a little tighter (or looser)? "Your clothes may fit differently even when your weight has stayed the same due to changes in lean body mass," said Ti. How your clothes fit can also vary on a day-to-day basis due to weight fluctuations caused by bloating or fluid retention.
Similarly, you might compare yourself to others who are the same height and weight -- yet look different from you. For example, on TikTok, women are sharing photos of themselves and labeling their exact weight to celebrate body diversity. While this may seem harmless, this trend could easily be triggering for someone with a history of disordered eating or body image issues.
"The intentions of this TikTok trend are good, but it still places an emphasis on appearance, such as body size and shape, which may cause people to have unrealistic expectations, become overly critical, and heighten body shame and dissatisfaction," said Ti, adding, "It's important to understand that you can weigh the same as someone else, but look different because each individual has their own genetic blueprint."
Genetics determine where exactly our bodies carry our weight. Plus, body composition also plays a major role. Body composition refers to the ratio of body fat to muscle, bones, ligaments, organs and other tissue. Again, this varies by individual and can change over time, based on many different factors.
Another aspect Ti said we should be mindful of is that we can't make assumptions about someone's physical or mental health, diet, activity or relationship with food simply by observing their appearance.
BMI and weight
Getty Images/Tim Robberts
Usually when the topic of weight comes up, body mass index is also discussed.
BMI is a screening tool that measures your weight and height to estimate your body fat and then categorizes you as either underweight, a healthy weight or overweight. But for individuals, BMI is not a great indicator of health. "BMI was created by a statistician based on a population of white, European males -- not a representative sample of diverse populations -- and was meant to be used as a screening tool, not a diagnostic tool," Ti said.
Furthermore, BMI was never intended to be used to evaluate the health of an individual and does not account for gender, age, body frame or body composition. "Continued use of BMI further contributes to weight stigma in health care," warned Ti, adding that even though the health care system probably won't move away from the concept, we can avoid relying on BMI as the sole indicator of our health because it doesn't tell the whole story.
When weight matters
Getty Images/JGI/Jamie Grill
It would be remiss to say that weight never matters. There are certain circumstances when it's important to monitor your weight. For example, observing your weight during pregnancy is necessary to make sure you gain the right amount of weight for a healthy gestation.
Weight can also matter if you have a known heart condition. Ti said those with congestive heart failure have to monitor their weight closely because fluid build up in the body causes weight fluctuations and changes that occur as a result of the disease itself.
Additionally, you should be aware of your weight if you have a health condition, such as diabetes, that requires a specific medication dosage. Your doctor will determine your dosage based on your weight to make sure you're being prescribed the right amount.
If you have a clean bill of health, Ti suggested you place less emphasis on having a specific weight. "Ultimately, the focus should be improving your health through changes in your behaviors, habits, thoughts, and how you feel throughout the day," she said. Improvements in mood, sleep, energy and strength will make a bigger difference than what the scale tells you in the morning.
The information contained in this article is for educational and informational purposes only and is not intended as health or medical advice. Always consult a physician or other qualified health provider regarding any questions you may have about a medical condition or health objectives.
