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Samsung TV Plus Gets a Revamp Across Galaxy Devices, Smart TVs

Samsung TV Plus Gets a Revamp Across Galaxy Devices, Smart TVs

Samsung on Tuesday announced the global relaunch of its free streaming service, Samsung TV Plus, with a logo redesign and lineup of new programming for TV and mobile customers across 24 countries. The electronics company is rolling out the app rebrand for its smart TVs, Galaxy devices and the web.

The relaunch expands the company's free, ad-supported streaming platform with access to more premium content, including local news, concerts and feature films. According to Samsung, the rollout will bring additional programming from A+E Networks, BBC and ION, as well as more live news broadcasting, exclusive premieres and a fresh batch of channels. Viewers can now stream ION to catch Law & Order: SVU, NCIS or Chicago Fire and also have the option to watch four BBC channels, including Classic Doctor Who and Antiques Roadshow UK. 

The platform is also growing its lifestyle category with the addition of the Home.Made.Nation station from A+E, which is intended to complement its slate of travel, food and home improvement channels. Viewers who love cars can tune in for the fall launch of Ride or Drive, an upcoming original Samsung TV Plus channel with dedicated auto-themed content. And the Samsung Showcase channel will feature special events, concerts and more. Moving forward, the brand has plans to grow its video-on-demand library in 2023 through partnerships with Lionsgate and other studios.

Originally launched in 2015, Samsung TV Plus features over 200 channels in the US -- and more than 1,500 worldwide -- that stream sports, music, news, TV shows and movies on demand. The service comes preinstalled on 2016-2022 Samsung smart TVs, Galaxy tablets and phones and select Family Hub refrigerators. Billed as an alternative to paid subscription services like Netflix and Disney Plus, the app offers a watchlist, recommendation feature and channel guide but doesn't require you to sign up for an account. Though Samsung TV Plus is solely available on the brand's devices, it's another free platform that joins the likes of Freevee, Tubi, Roku Channel and Pluto TV, which are accessible on multiple streaming devices and smart TVs.

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Source

https://nichols.my.id/how-to-get-your-period-overnight.html

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Sony X80K TV Review: Google TV Smarts, Basic Features and Picture

Sony X80K TV Review: Google TV Smarts, Basic Features and Picture

Sony has been making TVs for 60 years and today it's known for best for expensive, high-performance screens. In 2022 it continued the trend by releasing a kitchen sink worth of high-tech displays, from 8K to mini-LED to QD-OLED, and most demand serious cash. So far 2022 is more about tightening belts than bells and whistles, however, so I took a look at Sony's cheapest TV first. The X80K is a decent all-around performer, and could appeal to TV shoppers on a budget who just want a Sony, but you can certainly do better for the money.

Like

• Accurate color
• Capable Google TV smart system
• Plenty of connectivity
• Subtle, understated design

Don't Like

• Mediocre contrast and black levels
• More expensive than competing TVs with better picture quality

In early summer the X80K costs about the same as the Samsung QN60B and the TCL 6-Series. In my side-by-side comparison of the three in CNET's TV test lab, the Samsung looked slightly better overall than the Sony, with superior brightness and contrast, while the TCL totally trounced them both. That might be a surprise if you're new to the TV buying game and just paying attention to brands -- wait, a TCL looks better than a Sony? -- but if you look at their underlying technologies, it makes perfect sense. The Sony and Samsung use basic LCD backlights while the TCL leverages step-up screen tech, namely full-array local dimming and mini-LED.

Beyond picture I did like Sony's Google smart TV system and no-fuss design, and it comes in a wide array of sizes. Later in the year it's sure to receive hefty price cuts, like TVs always do around the Black Friday and the holidays, that could make it more competitive. For now, however, the X80K doesn't do enough beyond its name to stand out.

Sony KD-X80K sizes, series comparison

I performed a hands-on evaluation of the 55-inch Sony KD-55X80K, but this review also applies to the other screen sizes in the series. All sizes have identical specs and should provide very similar picture quality.

Sony KD-43X80K, 43-inch
Sony KD-50X80K, 50-inch
Sony KD-55X80K, 55-inch
Sony KD-65X80K, 65-inch
Sony KD-75X80K, 75-inch
Sony KD-85X80K, 85-inch

The X80K series is the entry-level in Sony's 2022 TV lineup, with relatively basic picture features. It's missing the HDMI 2.1 gaming features, 120Hz refresh rate and mini-LED backlight found on step-up models, for example.

James Martin/CNET

Keep it simple, Sony

The X80K blends in rather than stands out with a dark gray color along the bottom of its frame. The other three sides are black and their edges angle in slightly. The stand consists of simple A-shaped legs splayed far to either side. Seen from the side, the X80K is substantially thicker than the Samsung Q60B (2.83 vs. 1 inch), which could be a consideration if you want as flush a wall-mount as possible.

I like Sony's simple remote. The keys are laid out in familiar fashion and the requisite shortcut buttons for YouTube, Netflix, Disney Plus and Prime Video are onboard, and I appreciated the dedicated input key that some clickers lack. I could do without the number key and another dedicated to an over-the-air grid guide at the bottom, but some users might appreciate them.

James Martin/CNET

Google TV: Feature-rich and promo-heavy

Among all of the smart TV systems I like Google TV second-best, after Roku, and its implementation on the Sony X80K is the TV's best feature. Highlights include excellent voice results thanks to Google Assistant, tight integration with Google apps in particular YouTube and YouTube TV, and more apps overall, thanks to the Play store, than proprietary systems like Samsung and LG.

Responses were quick enough but felt a step behind most Roku TVs I've used. Once I selected a profile it took a long second or two for the main For You home page to populate with thumbnails, for example. I didn't love the large chunk of space at the top devoted to promotions of shows and movies on various services. I also wish the "continue watching" row was higher-up rather than placed below the "top picks for you" and apps rows. Top picks seemed to take into account my preferences for sci-fi shows and movies once I went through the "improve your recommendations" screen, but there was still plenty of content I didn't care about. Suggestions across different apps are a fine idea, but I personally the simplicity of Roku app-centric menus.

James Martin/CNET

Google TV's profiles worked well. I was easily able to set up a kid's profile, and I appreciated that appropriate apps like YouTube Kids and PBS Kids were suggested for me to add, and that Netflix automatically invoked the kids profile. During setup I was also prompted to set screen time limits, create a profile picture and more. Google TV's system provides better parental controls than Roku, although Fire TV is similarly robust.

Modest features, extra connections

Key features

Display technology	LED LCD
LED backlight	Direct
Resolution	4K
HDR compatible	HDR10 and Dolby Vision
Smart TV	Google TV
Remote	Standard with voice

As an entry-level TV the X80K's lack major picture-enhancing extras. It has a 60Hz refresh rate rather than 120Hz, although it does offer smoothing, aka the soap opera effect, if you want to turn it on. It supports Dolby Vision and Dolby Atmos formats, as well as standard HDR10, as do many other mid-priced TVs.

• Four HDMI inputs (One with eARC)
• Two USB 2.0 ports
• Composite AV input (3.5mm)
• Optical digital audio output
• RF (antenna) input
• Ethernet (LAN) port

Physical connections are better than many basic TVs' however, with a fourth HDMI as well as analog video. It's also the least-expensive TV so far to include an ATSC 3.0 tuner, so it's ready for NextGen TV broadcasts. Such broadcasts are rare today and once they become more common you'll be able to buy a tuner box to allow any TV to watch them, but it's a nice extra on the Sony nonetheless.

James Martin/CNET

Picture quality comparisons

I set up the 55-inch Sony X80K next to its direct competitor from Samsung, as well as less expensive Fire TV and a TCL with superior picture quality specifications. Here's the lineup:

Samsung QN55Q60B
Amazon Fire TV Omni
TCL 65R646

TV and movies: The Sony delivered the second-worst picture in the lineup overall, beating out only the Omni. Its main weakness was relatively weak contrast, caused by both lighter (worse) black levels and dimmer highlights than the Samsung.

Watching Hustle on Netflix, for example, the black around the credits and the shadows in the locker room were lighter and less realistic than on the other TVs, if only slightly worse than the Samsung and the Omni. The Samsung was also significantly brighter than the Sony in its most accurate picture modes, which made the film's HDR image pop more in comparison. The skin tones of Adam Sandler and the basketball players looked truer than the Samsung and Omni, but overall I preferred the Samsung's picture by a hair.

The story was similar with the challenging Spears and Munsil 4K HDR Benchmark montage on Blu-ray, where the Samsung looked a bit brighter than the Sony. Both outperformed the Omni, which showed less high-level detail in snowscapes for example, but the difference wasn't enough to justify the Sony's much higher price.

The TCL, meanwhile, was superior in pretty much every way to the others, with excellent contrast, deep black levels and powerful brightness that made the Sony, Samsung and Fire TV pale by comparison.

James Martin/CNET

Gaming: Playing Horizon Forbidden West, color was more realistic and accurate on the Sony, and similar to the TCL and LG, while the Samsung in every mode appeared more saturated and, well, game-y. Again the Samsung won for contrast and punch, handily, although to its credit the Sony revealed more details in the shadows, which is an advantage in dark games with enemies lurking in the shadows. The Sony lacked the comprehensive gaming stats display of the Samsung and both had similar (excellent) input lag, but overall I preferred the Samsung's punchier look. The TCL, meanwhile, combined a brighter image than either one with excellent shadow detail and, yes, colors as accurate (and better-looking) than the Sony.

Bright lighting: The Sony measured relatively dim, backing up my subjective impressions, and both it and the Samsung were less-bright than the TCL and a less-expensive Vizio, both equipped with local dimming. Below are my measurements in nits for select comparison TVs in their brightest and most accurate picture modes, using both standard dynamic range (SDR) and high dynamic range (HDR) test patterns.

Light output in nits

TV	Brightest mode (SDR)	Accurate mode (SDR)	Brightest mode (HDR)	Accurate mode (HDR)
TCL 65R635	1,114	792	1,292	1,102
Vizio M65Q7-J01	791	562	764	631
Samsung QN55Q60B	549	343	540	514
Sony KD-55X80K	369	357	446	387
LG OLED65C2	413	389	812	759

Despite its lower light output numbers the Sony is still bright enough for all but the most light-filled viewing environments. As with most TVs, the brightest modes for HDR and SDR (Game and Vivid, respectively) are less accurate. For the accurate results listed above I used Custom mode and I recommend X80K owners do the same to get good color in bright rooms. Note that with SDR, you'll need to disable the Auto Energy Saving setting (Settings > Display & Sound > Picture > Light Sensor > Off) to get full brightness.

The Samsung's screen was better than that of the Sony at dealing with bright reflections in the room. Sitting under bright lights, I saw my reflection in the black screen of the X80K more clearly (and it was more distracting) than in any of the other TV screens.

Uniformity and viewing angle: The screen of the X80K sample I reviewed showed no major issues with bright spots or dark areas, and in test patterns appeared more uniform than the Omni and similar to the other displays. Watching hockey I saw very little evidence of irregularities as the camera panned across the ice. From off-angle the Samsung maintained superior black level and contrast but Sony had better color, much like the TVs' respective performance from straight on.

James Martin/CNET

Picture settings notes

The most accurate settings were Cinema and Custom mode for both HDR and SDR, and Custom measured slightly more accurate so I went with that. Game is best for gaming, thanks to its low input lag, and color was similar to Custom and exceedingly accurate.

The X80K offers settings that engage smoothing, aka the soap opera effect, as I prefer to turn it off for TV shows and movies. You can experiment with the settings (Settings > Display & Sound > Picture > Motion > Motionflow > Custom) and it's off by default in the Cinema and Custom modes.

Geek box

SDR	Result	Score
Black luminance (0%)	0.075	Poor
Peak white luminance (SDR)	357	Average
Avg. gamma (10-100%)	2.46	Poor
Avg. grayscale error (10-100%)	2.27	Good
Dark gray error (30%)	2.07	Good
Bright gray error (80%)	3.04	Average
Avg. color checker error	3.08	Average
Avg. saturation sweeps error	2.52	Good
Avg. color error	2.67	Good
Input lag (Game mode)	11.93	Good
HDR10
Black luminance (0%)	0.084	Poor
Peak white luminance (10% win)	446	Poor
Gamut % UHDA/P3 (CIE 1976)	94.73	Average
ColorMatch HDR error	8.08	Poor
Avg. color checker error	1.54	Good
Input lag (Game mode, 4K HDR)	11.67	Good

See How We Test TVs for more details.

Portrait Displays Calman calibration software was used in this review. 

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NextGen TV, aka ATSC 3.0, is continuing its rapid rollout across the country. Major markets like Los Angeles, Atlanta, Denver, Houston and more all have stations transmitting. Meanwhile New York, Boston, and many other markets are slated to have broadcasts later this year. While not every station in every market has a NextGen TV counterpart, more and more are coming on the air.

What's NextGen TV? It's an update to the free HDTV you can already get over-the-air in nearly every city in the US. There's no monthly fee, but you do need either a new TV with a built-in tuner or a standalone external tuner. The standard allows broadcast stations to send higher quality signals than ever before with features like 4K, HDR, 120 Hz, and more. ATSC 3.0 proponents also claim better reception indoors and on-the-go -- whether it's on your phone, or even in your car. The best part is that if you're watching it on your TV it uses the same standard antennas available today.

One potential downside? ATSC 3.0 will also let broadcasters track your viewing habits, information that can be used for targeted advertising, just like companies such as Facebook and Google use today. 

Read more: Best TV antennas for cord cutters, starting at just $10

NextGen TV to you

ATSC.org

Here's the top-line info:

• If you get your TV from streaming, cable or satellite, NextGen TV/ATSC 3.0 won't affect you at all. 
• The transition is voluntary. Stations don't have to switch. Many have already, however, for reasons we'll explain below.
• It's not backwards-compatible with the current HD standard (ATSC 1.0), so your current TV won't be able to receive it. Your current antenna should work fine though.
• Stations that switch to NextGen TV will still have to keep broadcasting ATSC 1.0 for five years.
• There are multiple models and sizes of TV with built-in tuners available now from Hisense, LG, Sony, Samsung and others.
• As of the beginning of 2022 the majority of the largest markets in the US have at least one channel broadcasting NextGen TV. By the end of 2022, nearly all major and many minor markets will have multiple channels .
  

Here's the map of actual stations as of January 2022. Orange denotes stations that are live now. Blue is launching before summer. White sometime after the summer.

ATSC

How it will work in your home

Put simply: If you connect an antenna to your TV you will receive free programming, just like most people can get now. Yet, that is selling the potential benefits of NextGen TV short. 

NextGen TV is IP-based, so in practice it can be moved around your home just like any internet content can right now. For example, you connect an antenna to a tuner box inside your home, but that box is not connected to your TV at all. Instead, it's connected to your router. This means anything with access to your network can have access to over-the-air TV, be it your TV, your phone, your tablet or even a streaming device like Apple TV. There will be traditional tuners as well, of course, but this is a new and interesting alternative.

This also means it's possible we'll see mobile devices with built-in tuners, so you can watch live TV while you're out and about, like you can with Netflix and YouTube now. How willing phone companies will be to put tuners in their phones remains to be seen, however. You don't see a lot of phones that can get radio broadcasts now, even though such a thing is easy to implement. We'll talk more about that in a moment.

'Voluntary'

In November of 2017, the Federal Communications Commission approved ATSC 3.0 as the next generation of broadcast standard, on a "voluntary, market-driven basis" (PDF). It also required stations to continue broadcasting ATSC 1.0 (i.e. "HD"). This is actually part of the issue as to why it's voluntary. 

During the mandatory DTV transition in the early 2000s, stations in a city were given a new frequency (channel, in other words), to broadcast digital TV, while they still broadcast analog on their old channel. These older channels were eventually reclaimed by the FCC for other uses when the proverbial switch was flipped to turn off analog broadcasts. Since a changeover isn't occurring this time around, stations and markets are left to themselves how best to share or use the over-the-air spectrum in their areas.

Because there's no new bandwidth, broadcasters will temporarily share transmitters. Two or more stations will use one tower for ATSC 1.0 (HD) broadcasts and those stations will use another tower for ATSC 3.0 (UHD) broadcasts. This will mean a temporary reduction in bandwidth for each channel, but potentially a limited impact on picture quality due to the better modern HD encoders. More info here.

ATSC/TVTechnology.com

While it's not a mandatory standard, many broadcasters still seem enthusiastic about NextGen. At the beginning of the roll-out, then executive vice president of communications at the National Association of Broadcasters Dennis Wharton told CNET that the improvement in quality, overall coverage and the built-in safety features mean that most stations would be enthusiastic to offer ATSC 3.0.

John Hane, president of the Spectrum Consortium (an industry group with broadcasters Sinclair, Nexstar and Univision as members), was equally confident: "The FCC had to make it voluntary because the FCC couldn't provide transition channels. [The industry] asked the FCC to make it voluntary. We want the market to manage it. We knew the market would demand it, and broadcasters and hardware makers in fact are embracing it."

Given the competition broadcasters have with cable, streaming and so on, 3.0 could be a way to stabilize or even increase their income by offering better picture quality, better coverage and, most importantly, targeted ads.

Ah yes, targeted ads…

Broadcast TV will know what you're watching

One of NextGen TV's more controversial features is a "return data path," which is a way for the station you're watching to know you're watching. Not only does this allow a more accurate count of who's watching what shows, but it creates the opportunity for every marketer's dream: targeted advertising. 

Ads specific to your viewing habits, income level and even ethnicity (presumed by your neighborhood, for example) could get slotted in by your local station. This is something brand-new for broadcast TV. Today, over-the-air broadcasts are pretty much the only way to watch television that doesn't track your viewing habits. Sure, the return data path could also allow "alternative audio tracks and interactive elements," but it's the targeted ads and tracking many observers are worried about.

The finer details are all still being worked out, but here's the thing: If your TV is connected to the internet, it's already tracking you. Pretty much every app, streaming service, smart TV and cable or satellite box all track your usage to a greater or lesser extent.

Return data path is still in the planning stages, even as the other aspects of NextGen TV are already going live. There is a silver lining: There will be an opt-out option. While it also requires Internet access, if this type of thing bothers you, just don't connect your TV or NextGen TV receiver to the internet. You will inevitably lose some of the other features of NextGen TV, however.

That said, we'll keep an eye on this for any further developments.   

Free TV on your phone?

Another point of potential contention is getting ATSC 3.0 tuners into phones. At a most basic level, carriers like AT&T, Verizon and T-Mobile are in the business of selling you data. If suddenly you can get lots of high-quality content for free on your phone, they potentially lose money. Ever wonder why your phone doesn't have an FM radio tuner? Same reason.

T-Mobile made a preemptive strike along those lines all the way back in September 2017, writing a white paper (PDF) that, among other things, claims, "In light of the detrimental effects that inclusion of ATSC 3.0 can have on the cost and size of a device, the technology trade-offs required to accommodate competing technologies, and the reduced performance and spectral efficiency that it will have for other mobile bands and services, the decision as to whether to include ATSC 3.0 in a device must be left to the market to decide."

"The market" determined you didn't need an FM tuner in your phone, and in the few phones that had an FM tuner, if you bought it through an American provider, it was almost always disabled.

TV broadcasters, on the other hand, are huge fans of ATSC 3.0 on mobile phones. It means more potential eyeballs and, incidentally, a guarantee of active internet access for that return data path. John Hane of the Spectrum Consortium feels that tuners built into phones is "inevitable," and that international adoption of ATSC 3.0 will help push it forward. Wharton says that the focus is getting TVs to work, but mobile is in the plan.

Then there's portable TVs, of which there are HD versions on the market and have been for years. The next-generation ATSC 3.0 versions of these will likely get better reception in addition to the higher resolution offered by the new standard.

Sarah Tew/CNET

Cost (for you)

NextGen TV is not backward compatible with current TV tuners. To get it, you'll eventually need either a new TV or an external tuner. 

However, you shouldn't feel a push to upgrade since:

1. NextGen TV/ATSC 3.0 isn't mandatory, and it doesn't affect cable, satellite or streaming TV.

2. HD tuners cost as little as $30 to $40 now, and NextGen TV tuners, which currently sell between $200 and $300, will eventually be cheap as well.  

3. Even after they start NextGen broadcasts, stations will have to keep broadcasting regular old HD. 

Here's the actual language:

"The programming aired on the ATSC 1.0 simulcast channel must be 'substantially similar' to the programming aired on the 3.0 channel. This means that the programming must be the same, except for programming features that are based on the enhanced capabilities of ATSC 3.0, advertisements and promotions for upcoming programs. The substantially similar requirement will sunset in five years from its effective date absent further action by the Commission to extend it."

In other words, the HD broadcast has to be essentially the same as the new 3.0 broadcast for five years, perhaps longer depending on future FCC actions.

Which brings us to point 3. By the time people had to buy them, HD tuners were inexpensive and are even more so now. The HD tuner I use is currently $26 on Amazon. The first generation NextGen tuners available now are more expensive than that, though they're not outrageous. We'll discuss those below. By the time anyone actually requires one, however, they'll almost certainly be affordable.

Which is good, because there aren't any planned subsidies this time around for people to get a tuner for cheap. I'm sure this is at least partly due to how few people actually still use OTA as their sole form of TV reception. Maybe this will change as more stations convert, but we're a ways away from that.

As you can see, there are lots of parts that need to get upgraded all along the chain before you can get 3.0 in your home.

ATSC/TVTechnology.com

Here's another way to think about it: The first HD broadcasts began in the mid-90s, but when did you buy your first HDTV? As far as the 3.0 transition is concerned we're in the late-90s, maybe generously the early 2000s, now. Things seem like they're moving at a much more rapid pace than the transition from analog to DTV/HDTV, but even so, it will be a long time before ATSC 3.0 completely replaces the current standard.

How to get NextGen right now

LG

If you want to check it out for yourself, many of you already can. The first stop is to go to WatchNextGenTV.com. That website will help you find what stations in your area are broadcasting, or which ones will soon. 

Next up you'll need something to receive it. If you're in the market for a new TV there are several options available from Hisense, LG, Samsung, and Sony. Here's our list of all the 2022 TVs with built-in next-gen tuners.

If you want to check out NextGen TV without buying a new television, you'll need an external tuner. It's still early days, so there aren't many options. 

The Tablo ATSC 3.0 Quad HDMI DVR

Nuvvyo

At CES 2022 Nuvvyo announced the Tablo, a quad-tuner box that can connect to a TV directly, or transmit over a network to Rokus, Apple TVs, or computers on your home network.  

The Silicon Dust has two models, the $199 HomeRun Flex 4K and the $279 HomeRun Scribe 4K. Both have ATSC 1.0 and 3.0 tuners.  

If you want a more traditional tuner, BitRouter plans to start shipping its first ZapperBox M1 tuners in the spring. You can reserve one now for $249. It doesn't have internal storage, but BitRouter plans to add the ability to save content on network-attached storage, or NAS, devices via a firmware update. They also plan to add the ability to send the content around your home network, like what the Scribe 4K does.

Zapperbox

Then there's what to watch. Being early in the process, you're not going to find much 4K content, possibly not any. This was the same with the early years of HDTV. It's also going to vary per area. There is certainly a lot of 4K content being produced right now, and that has been the case for several years. So in that way, we're in better shape than we were in the early days of HD. 

Basic and paid cable channels over-the-air?

One company is using the bandwidth and IP nature of NextGen to do something a little different. It's a hybrid paid TV service, sort of like cable/satellite, but using over-the-air broadcasts to deliver the content. It's called Evoca, and right now it's available only in Boise, Idaho. Edge Networks is the company behind it, and it wants to roll it out to other small markets where cable offerings are limited, and broadband speeds are slow or expensive. 

It's an interesting idea for underserved and often forgotten-about markets. 

Read more: Cable TV channels and 4K from an antenna?

Seeing the future

The transition from analog broadcasting to HD, if you count from the formation of the Grand Alliance to the final analog broadcast, took 16 years. 

Though many aspects of technology move rapidly, getting dozens of companies, plus the governments of the US and many other countries, all to agree to specific standards, takes time. So does the testing of the new tech. There are a lot of cogs and sprockets that have to align for this to work, and it would be a lot harder to fix once it's all live.

But technology moves faster and faster. It's highly doubtful it will take 16 years to fully implement NextGen TV. As we mentioned at the top, dozens of stations are already broadcasting. Will every station in your city switch to NextGen TV? Probably not, but the bigger ones likely will. This is especially true if there are already other NextGen TV stations in your area. There's a potential here for stations to make additional money in the long run with 3.0, and that's obviously a big motivator.

There's also the question of how much content there will be. If it follows the HDTV transition model, big sporting events in 4K HDR will come first, followed by lots and lots of shows featuring nature scenes and closeups of bugs. Seriously -- this was totally a thing. Then we'll see a handful of scripted prime-time shows. My guess would be the popular, solidly profitable ones that are produced (not just aired) by networks like CBS and NBC.

So should you hold off buying a new TV? Nope, not unless you only get your shows over the air. And even if you do, by the time there's enough content to be interesting, there will be cheap tuner boxes you can connect to whatever TV you have. 

For now, NextGen TV seems to be well on its way.

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As well as covering TV and other display tech, Geoff does photo tours of cool museums and locations around the world, including nuclear submarines, massive aircraft carriers, medieval castles, epic 10,000 mile road trips, and more. Check out Tech Treks for all his tours and adventures.

He wrote a bestselling sci-fi novel about city-size submarines, along with a sequel. You can follow his adventures on Instagram and his YouTube channel.

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Source

https://residencey.costa.my.id/

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Netflix Co-CEO Says It's Seeking Ads Partnerships, Not a Roku Takeover

Netflix Co-CEO Says It's Seeking Ads Partnerships, Not a Roku Takeover

Netflix co-CEO Ted Sarandos said the streaming giant is holding talks with multiple advertising companies about partnerships that would help it introduce a cheaper membership with ads, according to reports. 

"We're talking to all of them right now," Sarandos said Thursday, according to Reuters, when he was asked on a panel about the advertising companies it's pursuing for potential partnerships. Sarandos' panel was part of the Cannes Lions advertising summit in France, one of the world's biggest annual events for the ad industry. 

The comments, and Netflix's attendance at Cannes Lions for the first time, further cemented Netflix's public commitment to introducing advertising to its service. In April, when Netflix reported its first subscriber loss in a decade, co-CEO Reed Hastings reversed years of dismissing any interest in advertising by revealing the company was "looking at" a cheaper, ad-supported tier for Netflix. 

But Netflix, which doesn't have an ad-sales force, would need to hire people and create its own, acquire an entity to absorb an ad-sales team or technology, or forge a partnership with an existing ad company. 

Thursday, Sarandos' comments indicated the company is pursuing the latter. 

Sarandos also batted down the idea that Netflix is seeking to take over Roku, a company that's built a growing business around its own streaming service people can watch free with advertising, called The Roku Channel. "I don't know where that came from," Sarandos said of the speculation that Netflix might purchase Roku, according to Deadline. But he left the door open to ownership of its own advertising business down the road. "If it becomes so important [that] we want to have control over it, we might," he said, according to Deadline. 

The drop in viewers has buffeted Hollywood's confidence in streaming as its engine into television's future. Netflix's years of unflagging growth pushed nearly all of Hollywood's major media companies to pour billions of dollars into their own streaming operations. These so-called streaming wars brought about a wave of new services, including Apple TV Plus, Disney Plus, HBO Max, Peacock and Paramount Plus, among others, a trend that's complicated how many services you must use -- and pay for -- to watch your favorite shows and movies online. 

With the intensifying competition to hold your attention and your subscription dollars, most Netflix rivals have leaned into a two-tier model, which offers a cheaper membership to watch with advertising as well as a more expensive subscription without ads. Netflix blazed the trail for streaming TV, but its ad-free-only strategy has fallen behind the standards of the industry, as competitors launched giving viewers like you more options. 

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The best Halloween movies to stream on Netflix, Hulu, Disney Plus and more

The best Halloween movies to stream on Netflix, Hulu, Disney Plus and more

Halloween movies are a thrilling watch year-round, but there's no better time to enjoy them than when chillier temperatures settle in. Especially this year, with the COVID-19 pandemic changing the way we partake in classic Halloween activities like trick-or-treating, you might need something to transport you to fictional places where the horrifying stuff isn't actually real. (We all cope differently, right?)

Here are our top picks for the scariest, creepiest and sometimes silliest films to stream or watch on demand on platforms including Hulu, Netflix, Disney Plus, Amazon Prime Video, Peacock, HBO Max and others. We've noted which of these films require higher-tier streaming subscriptions like Hulu Plus Live TV, or a Showtime or Cinemax add-on.

Read more:  15 of the best movies to see on Amazon Prime Video

Disney

Hulu started life as a joint venture between ABC, NBC and Fox. Since Disney (ABC's parent) absorbed most of the Fox Entertainment properties, however, it's been buying out its remaining partners and converting Hulu to more of a Disney Plus for adults. As such, you can watch the movies below with their full, R-rated gore intact. The baseline subscription includes commercials, and you can also bundle this with Disney's other online properties, Disney Plus and ESPN Plus.

(Available on Hulu Plus Live TV. Also available on Peacock.) We always appreciate a well-done horror comedy! You can catch the sequel, Zombieland Double Tap, on Starz.

(Also available on Tubi.) Something about murderous children in a cornfield just feels autumnal. 

It's a Swedish film about a little girl vampire. Are we selling it? It's fantastic, trust us. 

(Also available on Tubi.) We don't particularly get this franchise, but Hellraiser viewing parties are a pretty common Halloween activity. You do you.

Quite frankly, this adaptation isn't the greatest, but then again neither was the first one. Still it definitely has some chilling moments.

(Available with Showtime add-on.) The first Paranormal Activity was pretty unnerving. It might be worth a revisit this Halloween. 

(Available on Hulu Plus Live TV starting Oct. 7.) We refuse to fact-check this, but Get Out is possibly the only Oscar winner on this list. That's inaccurate. Ruth Gordon won an Oscar for Rosemary's Baby. And The Silence of the Lambs won like 5 Academy Awards too. Are you happy? Get Out is fantastic though.

Get Out 

Universal Pictures

Our 8-year-old selves still believe deep down this is the greatest Halloween movie ever made. Mary Kate and Ashley Olsen, please, please return to making films.

This Korean creature feature is easily one of the best films on this list.  

As far as haunted house movies go, this one is better than The Amityville Horror, but not quite as good as The Conjuring.

(Available on Hulu Plus Live TV starting Oct. 8.) Once again we learn abstinence is the only way to prevent slow-moving nightmare monsters from trying to kill you. What a helpful PSA!

(Available on Hulu Plus Live TV.) This is the part where you stop reading the article and immediately go put on Ghostbusters. Don't worry, this article isn't going anywhere. We'll wait. 

(Available on Hulu Plus Live TV.) Rebecca's mom really loves the Madea movies. And who are we to deny you options?

(Available on Hulu Plus Live TV.) On the one hand, it's a pretty good remake. On the other hand, Zack Snyder directed it. Your call.

(Available with Cinemax add-on.) Don't you want to finally understand what a "Jacob's Ladder scenario" actually is?

Ever since Dead Snow came out, we are always 100% down for any movie with Nazi zombies. 

(Available on Hulu plus Live TV. Also available on Spectrum.) It's possible Rebecca has seen this film more than any other film on this list. Don't judge!

Saw (2004)

(Available on Hulu with Cinemax add-on.) If you plan on watching Saw, we also recommend checking out our interview with screenwriter Leigh Whannell. He tells us about his 5-year-old's bedtime story demands and let's just say, twisted storytelling definitely runs in the family.

Netflix hardly needs an introduction, but the biggest streaming service out there remains a mixture of TV shows and movies, including content licensed from other studios and a growing stable of originals. 

We probably didn't need a family-friendly version of The Omen, but we enjoyed it nevertheless.

If you've come to this list looking for the scariest horror films, watch this one. Maybe with the lights on. 

Anjelica Huston is majestic in this Roald Dahl adaptation.

Even if you're not into super dark films, the storyline in this Guillermo del Toro masterpiece will be enough to win you over.

One of our favorites and Zelda Rubinstein's performance is really just the cherry on top.

This is probably the most under-the-radar film on this list, but it's absolutely worth your time.

Certain horror fans find themselves disappointed when the "big bad" turns out to be metaphorical. Don't worry, this one has a satisfying "actual monster" payoff.

This movie is carried by Mark Duplass and his amazingly sinister face. A delightfully creepy watch.

(Also available on Spectrum.) Ghost movies are great for Halloween, right?

Universal Pictures

Already subscribe to HBO? You can probably get HBO Max at no extra charge. Think of it as (wait for it) "HBO Plus" -- everything on HBO, plus a bunch of additional back catalog and exclusives from Warner's catalog, as well as some nice licensed exclusives like Doctor Who and the Studio Ghibli library. 

Shark movie!!! Sorry, didn't mean to get that excited. But we did see The Meg on opening weekend. Are you a "shark movie" person? No better time to find out!   

Possibly the last time we found the ending to a horror film surprising. 

I (Rebecca) thought this movie was really scary when I was 13. It might still be scary. There's really no way of knowing these things. 

We all know the saying, "In space, no one can hear you scream," but your neighbors will definitely be able to hear you scream while watching this on your couch.

It's pretty rare with a horror masterpiece to stumble upon a masterpiece of a sequel, especially with a different director. Thanks, James Cameron!

John Landis doesn't get enough credit for being able to blend horror and comedy.

While The Shining is probably the favorite horror film of many and may not have needed a sequel, it's one of the better Stephen King adaptations in recent years.

A very enjoyable example of a dark comedy and horror mashup.

Disney

You know ... for kids! It's probably not the first thing that comes to your mind when you think of "horror," as nothing here eclipses PG-13 scares. But it also has the full libraries for everything from Marvel, Star Wars, Pixar and The Simpsons, to name just a few of the big content silos you'll find here. As with Hulu, you can subscribe to this solo, or as a Disney/Hulu/ESPN bundle.

A cult classic you can finally stream. 

(Also available on Hulu Plus Live TV.) It's really a Christmas movie, but also you should be watching it year-round.

This vibrant, touching film brings Day of the Dead to life in the most beautiful way.

Maybe it's the nostalgia talking, but this is simply a Disney classic.

Feel-good and Halloween don't always go hand in hand, but this nostalgic Halloween classic always warms our witchy little hearts.

As if trusting her new beau wasn't hard enough already.

Warner Bros. Pictures

Peacock is NBCUniversal's recently launched streaming app that includes several free movies and TV shows. Paying customers can unlock the platform's full library of content, and can also pay a little more to go ad-free. 

You should really watch/rewatch them all, but the third film does have the most Halloween-y vibe. 

You can't get more classic than Frankenstein!

We love a good dystopian film.

Another for the classics fans.

Screenshot by Abrar Al-Heeti/CNET

This ad-supported network offers a range of free TV shows and movies. It's available on devices including Roku and Amazon Fire TV, as well as on Android and iOS. You won't need an account to watch content, but creating one enables you to save favorites and resume playback when switching between devices.

Is it really Halloween if you haven't watched a creepy Tim Burton film?

A cannibal villain is as horrifying as it gets.

Not exactly sure if a flick about a viral outbreak is something you want to watch right now, but if it is, you're in luck.

MGM

Existing Showtime cable subscribers can access all of its content on the Showtime Anytime app on most major app platforms. But you can also get it as a straight streaming app for a monthly fee. (Disclosure: Showtime and CNET are owned by the same parent company, ViacomCBS.)

(Also available on Netflix.) This is one of our favorite films to watch on Halloween. Hannibal Lecter is a magnificent villain.

If you don't barf while watching the shaking cameras, it's a pretty good creature feature. 

This would pair well with The Omen for a Halloween double feature. 

We're going to throw this out there: More films should be set in the 1600s. Provided they're as good as The Witch.

Focus Features

Like Showtime, this premium cable movie service is also available "over the top" as a direct streaming option on most app store platforms.

This is the quite possibly the most perfect Halloween movie on this list. Demon spawn! (If you're interested, you can also find the 2006 version on Hulu.)

Not big on horror? No worries, you can check out one of the greatest comedies ever made instead.    

Is it just us or does anyone else find Edward Scissorhands incredibly soothing to watch?

Jeff Goldblum in a creature feature is all we're really looking for in a Halloween film.

Watch this after you finish watching The Nightmare Before Christmas.

Video screenshot by Bonnie Burton/CNET

Epix is another pay cable channel that's expanded its horizons to the digital realm. Get it with your cable or satellite subscription, or as a digital streaming option instead.

We're almost positive people have written dissertations on the influence of this film on the horror genre. So, we dunno, maybe check out?

Definitely worth it for Vincent Price. 

(Also available on Hulu.) Creature features often don't get enough love in the horror genre. But this one was our jam!

Warner Bros. Pictures

Prime Video is thrown in "for free" for anyone subscribing to Amazon's membership program, which otherwise guarantees delivery of a wide array of products in two days or less at no additional charge. It's got a ton of movies and TV shows from third-party studios, and a growing list of Amazon exclusives, too. Note, however, that only the first few selections are available via Prime; the rest are available as 48-hour rentals at a pay-per-view cost.

This movie will freak me out always and forever!

Chris Sarandon as a vampire? Sold!

(Available to rent.) This Michael J. Fox classic about a teen werewolf will have you howling for more! I promise that's the last pun in this article.

(Available to rent.) It's a Halloween movie list, so I'm obligated to include Pumpkinhead.

(Available to rent.) One of the few films on this list that is also a cinematic masterpiece.

(Available to rent. It's also available on Hulu Plus Live TV.) I know the found footage gimmick is tired, but do you actually remember how scary this movie was? An entire generation couldn't go camping for like a decade after it came out. 

(Available to rent.) This film was so scary that I still can't bring myself to watch any of the sequels or prequels! But if you are interested in watching The Conjuring 2, it's available on HBO Max. 

(Available to rent.) I went as the Bride for Halloween one year. This isn't relevant to my recommendation, but I'm trying to sell you on a film from 1935.

(Available to rent.) Carrie is so good! Sissy Spacek just has a special place in my heart. It isn't at all related to Halloween, but you should also check out Coal Miner's Daughter.

(Available to rent.) This is the American remake of Let the Right One In. And it's pretty well done for US market cash grab. 

It (2017)

(Available to rent. Also on Hulu plus Live TV.) This film is alway a thrill. The sequel is also available on HBO Max.

(Available to rent.) Frankly, I could use more sci-fi horror films. And more Vin Diesel.

(Available for rent.) For all the gore lovers.

(Available to rent, though the 1972 version is included with a Prime membership and is also on Hulu.) I'll say this about the remake: it's probably more suspenseful than the original. But the original left me feeling emotionally violated, and that's a special kind of horror that's hard to replicate. Still the remake is worth a watch.

(Available to rent.) Down with the yuppies! Honestly this is one of my all-time favorite films.

(Available to rent.) As a child I was only afraid of two things: Chucky and spiders. I am still terrified of both. But hey, now I'm also afraid of heights!

(Available with a Prime Video Channels subscription. Also available on Tubi.) It's Wes Craven so I'm not even going to bother trying to convince you. Just watch it.

Raw (2016) 

(Available to rent.) Watch only if you have a strong stomach!

(Available to rent.) OK, here's our pitch: Jessica Walter and Clint Eastwood. Are you sold?

(Available to rent.) Not to be confused with the Brooke Shields film The Blue Lagoon. This one is about a lagoon monster.

(Available to rent.) You'll never want to fly again. 

(Available to rent.) This is possibly one of the worst films ever made, but it stars Gerard Butler as Dracula. So you should probably watch it anyway.

(Available to rent.) Nearly half the movies in our roundup were in some way inspired by this classic slasher film. An absolute Halloween classic.

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